Login

— 11 minutesMark Eckert

Why Catalog Size Matters in Sync Licensing

Ever feel like getting your music into TV shows and movies is a giant, locked vault? You’ve got killer tracks, but how do you actually get them heard by the people who make decisions? It’s a common hang-up, and honestly, it can feel super overwhelming.

TL;DR:

  • More music = more chances to get placed. It’s simple math.
  • Variety is key. Different moods, genres, and styles mean more doors open.
  • Build it, they might come. A solid catalog demonstrates you’re serious.
  • Don’t wait for perfection. Get what you have out there.
  • That Pitch helps you build that catalog. We make it easy.

So, let’s grab a coffee and talk about something that trips up a lot of artists trying to make some sweet sync cash: catalog size. You’ve probably heard it mentioned, maybe in a forum or a webinar, and thought, “What does that even mean? And why should I care?” Well, it’s actually a pretty simple concept with a big impact on your potential earnings.

Think of your music catalog like your toolkit for getting sync placements. The more tools you have, the more jobs you can tackle, right? In the sync world, your “catalog” is just the collection of your music that’s available for sync licensing. It’s all the tracks you’ve created, finished, and made ready for someone to potentially use in a film, TV show, commercial, video game, or any other media project.

In exploring the significance of catalog size in sync licensing, it’s essential to consider how a diverse and extensive music catalog can enhance opportunities for placements in various media. A related article that delves deeper into the intricacies of music synchronization rights and their impact on sync licensing strategies can be found at this link. This resource provides valuable insights into the nuances of sync licensing, helping artists and composers understand the importance of having a well-rounded catalog to maximize their chances of success in the industry.

The More, The Merrier (For Sync Libraries)

Here’s the core idea: sync librarians, the folks who find music for projects, are constantly looking for the perfect track for a specific scene. They’ve got a brief, a mood, a genre, and a whole lot of searching to do.

Why Variety is the Spice of Sync Life

If you only have a few songs, and they all sound pretty similar, you’re essentially showing up to a giant hardware store with just a hammer. Useful, sure, but not ideal for every situation.

Rock Songs for Action Scenes, Folk for Heartfelt Moments

Imagine a director needs a soaring rock anthem for a car chase. If you only have ambient electronic tracks, you’re not going to be on their radar.

Don’t Be a One-Trick Pony (Unless That Trick is Extremely Versatile)

The more genres and moods you can cover, the more opportunities you create for yourself. Think about it:

  • A chill, lo-fi hip-hop beat for studying or a coffee shop scene.
  • An epic orchestral piece for a dramatic reveal.
  • A funky bassline for a quirky comedy.
  • A melancholic piano melody for a sad moment.

Each one of these opens up a different door. It’s not about abandoning your artistic identity, but about showing the breadth of your musical capabilities.

The Numbers Game: Quantity Matters

Beyond just variety, the sheer number of tracks you have also plays a role. Sync libraries often have thousands, sometimes tens of thousands, of tracks.

More Tracks = More Keywords

Every track can be tagged with multiple genres, moods, instruments, and descriptive keywords. The more tracks you have, the more combinations of these tags you can offer. This makes you more discoverable.

The “Long Tail” of Sync

Think of it like this: even if one of your tracks gets a massive placement, you still have hundreds of others that could get smaller, but still lucrative, placements over time. It’s not just about the one big hit; it’s about the steady income from many smaller placements.

Demonstrating Commitment and Professionalism

A substantial catalog signals to music supervisors and sync library curators that you’re a serious artist who is actively producing music. It shows you’re not just dabbling; you’re building a career.

Building Your Sync Library: It’s a Marathon, Not a Sprint

Okay, so you understand why a bigger catalog is good. But how do you actually build one, especially if you’re just starting out or have a limited amount of finished music?

Don’t Wait for the “Perfect” Song

This is a big one. Many artists get stuck in a loop of endlessly tweaking and refining a few songs, hoping they’ll be “good enough” for sync. Newsflash: “good enough” is often just fine in sync.

Releasing vs. Perfecting

The goal is to have music available for sync licensing. A song that’s perfectly mixed and mastered but not in a sync library isn’t earning you anything. A song that’s good, maybe even great, and is actively being pitched? That’s where the money is.

Think in Batches

Instead of releasing one song every few months, try to aim for releasing a handful of tracks at a time. This helps you build momentum and get more material into the sync ecosystem faster.

Repurposing and Reimagining

You don’t always need to write a brand new song from scratch every time. There are smart ways to leverage existing material.

Instrumentals and Edits

Are your songs primarily vocal-driven? Create instrumental versions. They’re incredibly valuable for background music in commercials or explainer videos where lyrics might get in the way.

Different Mixes for Different Moods

Sometimes a slightly different mix can change the feel of a track. A more stripped-down version, or one with more prominent percussion, can open up new sync licensing possibilities.

Short-Form Edits

Many sync placements, especially for commercials or social media, require music that’s 15, 30, or 60 seconds long. Developing these shorter edits from your main tracks is essential.

Collaboration is Your Friend

Working with other musicians can be a fantastic way to expand your catalog and explore new sounds without starting from scratch.

Co-writing Opportunities

Team up with other producers or songwriters. You can split the rights, but you also gain access to their creative ideas and potentially their existing network.

Ghost Production (with a grain of salt)

Some artists use ghost production services, where they pay another producer to create tracks for them to then sync license. This can be a quick way to build a catalog, but be sure you’re sync licensing your name and not someone else’s work directly.

Sure, here is the sentence with the clickable link:
You can read this article to learn more about what a sync licensing catalog is.

The “Catalog Gap”: What Happens When You Don’t Have Enough

So, what’s the downside of having a small or incomplete catalog? It’s basically leaving money on the table.

Missed Opportunities

A music supervisor is looking for a specific type of track. They browse a sync library, and they just don’t have enough options that fit their criteria. Who do they go to? The artist with hundreds of relevant tracks, not the one with five.

The “Bounce Back” Effect

When a sync library pitches your music for a project and it doesn’t get placed, they often move on to the next option. If you don’t have many other songs ready to go, they might not be as inclined to keep pitching you for future projects.

Perceived Lack of Seriousness

This sounds harsh, but it’s true. If an artist only has a few songs available, it can come across as someone who isn’t putting in the consistent effort required for a successful sync career.

Building Momentum Takes Volume

Think of it like building a social media following. One post is nice, but consistent posting is what keeps people engaged and attracts new followers. The same applies to your music catalog.

Understanding the significance of catalog size in sync licensing can be further explored in the article available at this link, which delves into the strategies artists can employ to enhance their visibility in the competitive landscape of sync licensing. By examining how a diverse and extensive catalog can attract more opportunities, the article provides valuable insights for musicians looking to maximize their potential in sync placements.

How That Pitch Helps You Bridge the Catalog Gap

This is where we come in! We’re all about making this process less confusing and more accessible for independent artists.

Streamlined Distribution is Key

The biggest hurdle for artists is often getting their music into the actual sync libraries where music supervisors are looking. It can be a complex and time-consuming process, involving pitching to individual sync libraries, understanding their submission standards, and dealing with technical requirements.

One-Stop Shop for Sync Libraries

That Pitch acts as your go-to hub. We work with over 100 of the world’s top sync libraries, so you don’t have to. You upload your music to us, and we handle getting it distributed to all those places.

Making It Easier to Get More Music Out There

We understand that building a catalog can feel like a chore. Our platform is designed to simplify the process.

Simple Upload Process

You don’t need to be a tech wizard. Our interface makes it easy to upload your tracks, categorize them, and add the necessary metadata (keywords, moods, genres) that sync libraries rely on.

Focus on Creating, Not Hassling

Our goal is to free you up to do what you do best: make music. By taking care of the distribution complexities, we let you concentrate on writing those next few killer tracks to add to your catalog.

Transparency and Control

You uploaded your music. You know it best. We believe you should keep 100% of your earnings. No hidden fees, no confusing splits.

You Own Your Masters, Always

We never take ownership of your music. You retain full control and ownership of your copyrights.

Honest and Clear Earnings

When your music gets placed, all the royalties come directly to you. Simple.

Real-World Mini-Case: The “Ambient Album” Artist

Let’s say you’re an artist who specializes in producing really calm, atmospheric electronic music. You’ve got a fantastic album, maybe 10-12 tracks, all with that signature chill vibe. This is great for meditation apps, spa commercials, or quiet background music.

But what happens when a director needs something for a high-octane documentary scene? Or a quirky indie film soundtrack? Without a diverse catalog, those opportunities pass you by.

Now, imagine this artist uses That Pitch. They upload their ambient album. They get those placements they’re perfect for. But then, they think, “Okay, I need to diversify.”

They might then:

  • Reach out to a vocalist friend to add lyrics to a few instrumental tracks, creating a pop-leaning set.
  • Experiment with some more upbeat, synth-driven tracks for a different feel.
  • Learn to create short, punchy edits from their existing ambient music for use in shorter media.

Each new set of tracks they add to their catalog through That Pitch doubles or triples their chances of getting placed. It’s a snowball effect. The more they add, the more doors open, and the more likely they are to generate steady income from sync.

Key Takeaways for Your Catalog Journey:

  • Quantity Breeds Opportunity: The more music you have available, the more likely you are to get placed.
  • Variety is the Superpower: Covering different genres and moods unlocks a wider range of projects.
  • Don’t Let Perfection Be the Enemy of Good: Get your finished music out there.
  • Leverage Your Existing Work: Instrumentals, edits, and remixes can expand your offering.
  • That Pitch Simplifies It All: We make it easy to distribute your music and build your catalog efficiently.

This might sound like a lot, but it’s really about building a sustainable income stream from your passion. The more music you have out there, the more chances you have for your music to be discovered and used. And the easier that process is, the more time you can spend doing what you love – making music.

Ready to start building your sync career and filling those sync libraries with your best work?

Create a free That Pitch account to distribute your music into real sync libraries and keep 100% of your earnings.

Join Free

FAQs

What is sync licensing?

Sync licensing is the process of granting permission to use music in synchronization with visual media such as TV shows, movies, advertisements, and video games.

Why does catalog size matter in sync licensing?

The size of a music catalog matters in sync licensing because it increases the likelihood of finding the right song for a specific project. A larger catalog offers more variety and options for music supervisors and producers.

How does a larger catalog benefit music supervisors and producers?

A larger catalog provides music supervisors and producers with a wider selection of music to choose from, allowing them to find the perfect song that fits the mood, tone, and message of their project.

What are the challenges of a smaller music catalog in sync licensing?

A smaller music catalog may limit the options available to music supervisors and producers, making it more difficult to find the right song for their project. It may also result in higher sync licensing fees for popular or well-known tracks.

How can musicians and music libraries increase their catalog size for sync licensing?

Musicians and music libraries can increase their catalog size for sync licensing by consistently creating and adding new music to their repertoire. They can also collaborate with other artists and composers to expand their catalog and offer a diverse range of music for sync licensing opportunities.

Related reading