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		<loc>https://thatpitch.com/blog/publishing-income-for-band-members-explained/</loc>
		<lastmod>2026-03-27T01:29:19+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-producers-cannot-make-good-money-from-sync-licensing/</loc>
		<lastmod>2026-03-27T01:28:17+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/upfront-vs-backend-income-explained/</loc>
		<lastmod>2026-03-27T01:27:43+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/not-creating-multiple-versions/</loc>
		<lastmod>2026-03-27T01:27:34+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/creating-clear-intros-and-endings/</loc>
		<lastmod>2026-03-27T01:27:18+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/building-systems-for-music-production/</loc>
		<lastmod>2026-03-27T01:26:40+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/exclusive-vs-non-exclusive-deals-for-producers/</loc>
		<lastmod>2026-03-27T01:26:26+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/writing-music-that-matches-client-needs/</loc>
		<lastmod>2026-03-27T01:26:13+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/volume-strategy-for-producers-explained/</loc>
		<lastmod>2026-03-27T01:25:46+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/instrumentals-vs-vocal-tracks-in-sync-licensing/</loc>
		<lastmod>2026-03-27T01:25:25+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/publishing-income-for-producers-explained/</loc>
		<lastmod>2026-03-27T01:25:13+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-producers-build-a-sync-licensing-catalog/</loc>
		<lastmod>2026-03-27T01:24:46+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-rights-issues-rarely-cause-problems/</loc>
		<lastmod>2026-03-26T06:34:45+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/overlapping-rights-across-multiple-deals/</loc>
		<lastmod>2026-03-26T06:34:40+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/ignoring-tempo-and-bpm-data/</loc>
		<lastmod>2026-03-26T06:34:21+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/ensuring-clean-rights-documentation/</loc>
		<lastmod>2026-03-26T06:34:05+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-consistency-matters-in-library-metadata/</loc>
		<lastmod>2026-03-26T06:33:52+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-libraries-handle-one-stop-music/</loc>
		<lastmod>2026-03-26T06:33:29+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/rights-considerations-for-vocal-vs-instrumental-tracks/</loc>
		<lastmod>2026-03-26T06:33:16+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-poor-metadata-prevents-placements/</loc>
		<lastmod>2026-03-26T06:32:46+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/legal-responsibility-in-sync-licensing-agreements/</loc>
		<lastmod>2026-03-26T06:32:44+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-metadata-connects-to-search-systems/</loc>
		<lastmod>2026-03-26T06:32:27+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-to-prepare-tracks-for-sync-licensing-clearance/</loc>
		<lastmod>2026-03-26T06:31:59+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-only-instrumentals-get-placed-in-sync-licensing/</loc>
		<lastmod>2026-03-26T01:31:46+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/sync-licensing-vs-streaming-revenue/</loc>
		<lastmod>2026-03-26T01:31:25+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/managing-metadata-across-band-catalogs/</loc>
		<lastmod>2026-03-26T01:31:21+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/choosing-the-right-songs-for-sync/</loc>
		<lastmod>2026-03-26T01:31:01+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/delays-due-to-split-approval/</loc>
		<lastmod>2026-03-26T01:30:46+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-libraries-look-for-from-bands/</loc>
		<lastmod>2026-03-26T01:30:22+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/creating-instrumental-versions/</loc>
		<lastmod>2026-03-26T01:30:14+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-bands-define-ownership-percentages/</loc>
		<lastmod>2026-03-26T01:29:57+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/when-instrumental-versions-are-preferred/</loc>
		<lastmod>2026-03-26T01:29:44+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/backend-royalties-for-bands-in-sync-licensing/</loc>
		<lastmod>2026-03-26T01:29:23+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-vocal-music-performs-in-sync-licensing/</loc>
		<lastmod>2026-03-26T01:29:16+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-only-vocal-music-gets-placed-in-sync-licensing/</loc>
		<lastmod>2026-03-26T01:27:21+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/revenue-models-compared-for-producers/</loc>
		<lastmod>2026-03-26T01:27:02+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/ignoring-metadata-in-sync-licensing/</loc>
		<lastmod>2026-03-26T01:26:44+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/writing-edit-friendly-music/</loc>
		<lastmod>2026-03-26T01:26:21+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/increasing-output-without-losing-quality/</loc>
		<lastmod>2026-03-26T01:26:12+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-libraries-expect-from-producers/</loc>
		<lastmod>2026-03-26T01:25:59+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-producers-interpret-briefs/</loc>
		<lastmod>2026-03-26T01:25:48+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-many-tracks-producers-need-for-sync-licensing/</loc>
		<lastmod>2026-03-26T01:25:34+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-instrumentals-increase-placement-opportunities/</loc>
		<lastmod>2026-03-26T01:25:16+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/backend-royalties-for-producers-in-sync-licensing/</loc>
		<lastmod>2026-03-26T01:25:06+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-instrumentals-work-in-sync-licensing-for-producers/</loc>
		<lastmod>2026-03-26T01:24:41+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-libraries-fix-metadata-for-artists/</loc>
		<lastmod>2026-03-25T06:34:40+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/failing-to-document-ownership-properly/</loc>
		<lastmod>2026-03-25T06:34:40+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/weak-track-descriptions-that-reduce-placements/</loc>
		<lastmod>2026-03-25T06:34:23+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/deliverables-required-for-sync-licensing/</loc>
		<lastmod>2026-03-25T06:34:13+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/tools-used-for-metadata-management/</loc>
		<lastmod>2026-03-25T06:33:48+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/risks-of-non-one-stop-tracks/</loc>
		<lastmod>2026-03-25T06:33:36+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-producers-handle-rights-in-sync-licensing/</loc>
		<lastmod>2026-03-25T06:33:12+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-metadata-influences-search-rankings-in-libraries/</loc>
		<lastmod>2026-03-25T06:32:52+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/rights-verification-in-sync-licensing/</loc>
		<lastmod>2026-03-25T06:32:37+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-metadata-is-stored-in-music-libraries/</loc>
		<lastmod>2026-03-25T06:32:17+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/metadata-standards-used-by-music-libraries-2/</loc>
		<lastmod>2026-03-25T06:32:01+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-bands-cannot-succeed-in-sync-licensing/</loc>
		<lastmod>2026-03-25T01:31:47+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/sync-licensing-vs-touring-income/</loc>
		<lastmod>2026-03-25T01:31:36+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/organizing-band-tracks-for-sync-licensing/</loc>
		<lastmod>2026-03-25T01:31:24+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/building-a-strategy-for-band-sync-licensing/</loc>
		<lastmod>2026-03-25T01:31:02+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/coordinating-multiple-members-for-sync-licensing/</loc>
		<lastmod>2026-03-25T01:30:49+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-bands-submit-music-to-libraries/</loc>
		<lastmod>2026-03-25T01:30:27+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/making-band-music-sync-ready/</loc>
		<lastmod>2026-03-25T01:30:13+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-split-sheets-are-critical-for-sync-licensing/</loc>
		<lastmod>2026-03-25T01:30:01+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/when-vocal-songs-work-in-sync-licensing/</loc>
		<lastmod>2026-03-25T01:29:52+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-bands-make-money-from-sync-licensing/</loc>
		<lastmod>2026-03-25T01:29:33+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-bands-earn-sync-fees-from-placements/</loc>
		<lastmod>2026-03-25T01:29:30+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-producers-must-work-with-artists-to-succeed-in-sync-licensing/</loc>
		<lastmod>2026-03-25T01:27:11+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/key-differences-between-sync-licensing-and-beat-selling/</loc>
		<lastmod>2026-03-25T01:27:06+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/producing-music-that-is-too-complex/</loc>
		<lastmod>2026-03-25T01:26:44+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/structuring-tracks-for-sync-licensing/</loc>
		<lastmod>2026-03-25T01:26:25+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-scale-matters-in-sync-licensing/</loc>
		<lastmod>2026-03-25T01:26:12+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-producers-submit-music-to-libraries/</loc>
		<lastmod>2026-03-25T01:25:58+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-a-sync-licensing-brief-is/</loc>
		<lastmod>2026-03-25T01:25:53+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/building-a-producer-focused-sync-catalog/</loc>
		<lastmod>2026-03-25T01:25:27+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-instrumental-music-is-preferred-in-sync-licensing/</loc>
		<lastmod>2026-03-25T01:25:16+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-producers-earn-sync-fees-from-placements/</loc>
		<lastmod>2026-03-25T01:25:01+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-producers-make-money-from-sync-licensing/</loc>
		<lastmod>2026-03-25T01:24:39+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-metadata-is-only-for-organization/</loc>
		<lastmod>2026-03-24T06:34:42+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/incorrect-rights-registration/</loc>
		<lastmod>2026-03-24T06:34:33+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/inconsistent-metadata-across-tracks/</loc>
		<lastmod>2026-03-24T06:34:14+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/preparing-instrumental-versions-for-clearance/</loc>
		<lastmod>2026-03-24T06:33:58+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/metadata-delivery-formats-explained/</loc>
		<lastmod>2026-03-24T06:33:42+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/one-stop-vs-split-rights-explained/</loc>
		<lastmod>2026-03-24T06:33:28+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/writers-share-vs-publishers-share-explained-3/</loc>
		<lastmod>2026-03-24T06:33:11+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/bpm-and-tempo-metadata-explained/</loc>
		<lastmod>2026-03-24T06:32:51+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-clients-require-fully-cleared-tracks/</loc>
		<lastmod>2026-03-24T06:32:38+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/descriptive-vs-technical-metadata-explained/</loc>
		<lastmod>2026-03-24T06:32:12+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/one-stop-clearance-in-sync-licensing-explained/</loc>
		<lastmod>2026-03-24T06:31:56+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/sync-licensing-for-bands/</loc>
		<lastmod>2026-03-24T01:28:47+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/sync-licensing-for-producers/</loc>
		<lastmod>2026-03-24T01:24:00+00:00</lastmod>
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