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		<loc>https://thatpitch.com/blog/why-incorrect-metadata-kills-placement-chances/</loc>
		<lastmod>2026-02-23T06:06:33+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/the-role-of-brief-matching-in-sync-licensing/</loc>
		<lastmod>2026-02-23T06:06:03+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-passive-sync-licensing-scales-better/</loc>
		<lastmod>2026-02-23T06:06:00+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/working-with-gatekeepers-instead-of-cold-pitching/</loc>
		<lastmod>2026-02-23T06:05:27+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-algorithms-guarantee-placements/</loc>
		<lastmod>2026-02-22T06:08:50+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-artists-gain-access-to-gatekeepers/</loc>
		<lastmod>2026-02-22T06:08:26+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/balancing-quality-and-quantity/</loc>
		<lastmod>2026-02-22T06:08:10+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/creating-multiple-edits-for-licensing/</loc>
		<lastmod>2026-02-22T06:07:48+00:00</lastmod>
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	<url>
		<loc>https://thatpitch.com/blog/data-signals-that-increase-placement-chances/</loc>
		<lastmod>2026-02-22T06:07:44+00:00</lastmod>
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	<url>
		<loc>https://thatpitch.com/blog/avoiding-over-complex-arrangements/</loc>
		<lastmod>2026-02-22T06:07:06+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/playlist-style-vs-sync-search-differences/</loc>
		<lastmod>2026-02-22T06:06:47+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/tempo-bpm-and-structural-metadata/</loc>
		<lastmod>2026-02-22T06:06:28+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-library-relationships-lead-to-placements/</loc>
		<lastmod>2026-02-22T06:06:00+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-music-libraries-enable-passive-placements/</loc>
		<lastmod>2026-02-22T06:05:44+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-algorithms-and-catalog-systems-help-sync-licensing/</loc>
		<lastmod>2026-02-22T06:05:28+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-libraries-automatically-promote-all-music/</loc>
		<lastmod>2026-02-21T06:08:29+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/planning-release-schedules-for-libraries/</loc>
		<lastmod>2026-02-21T06:08:04+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/clean-audio-production-standards/</loc>
		<lastmod>2026-02-21T06:07:47+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/building-trust-through-libraries/</loc>
		<lastmod>2026-02-21T06:07:37+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-speed-of-licensing-affects-algorithm-visibility/</loc>
		<lastmod>2026-02-21T06:07:27+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/writing-music-with-sync-context-in-mind/</loc>
		<lastmod>2026-02-21T06:07:04+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-curators-influence-discovery/</loc>
		<lastmod>2026-02-21T06:06:49+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/genre-tagging-for-sync-licensing-success/</loc>
		<lastmod>2026-02-21T06:06:42+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-artists-benefit-from-library-infrastructure/</loc>
		<lastmod>2026-02-21T06:06:01+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-clients-search-instead-of-waiting-for-pitches/</loc>
		<lastmod>2026-02-21T06:05:49+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/building-a-sync-licensing-catalog-that-attracts-placements/</loc>
		<lastmod>2026-02-21T06:05:30+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-one-track-is-enough-for-sync-licensing/</loc>
		<lastmod>2026-02-20T06:08:26+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-consistency-beats-viral-moments/</loc>
		<lastmod>2026-02-20T06:08:05+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/avoiding-copyright-risks-for-passive-licensing/</loc>
		<lastmod>2026-02-20T06:07:48+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-gatekeepers-prefer-organized-artists/</loc>
		<lastmod>2026-02-20T06:07:43+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-libraries-surface-tracks-automatically/</loc>
		<lastmod>2026-02-20T06:07:38+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-consistency-drives-placement-opportunities/</loc>
		<lastmod>2026-02-20T06:07:07+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-volume-increases-discovery-chances/</loc>
		<lastmod>2026-02-20T06:06:45+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/mood-tags-and-emotional-descriptors-explained/</loc>
		<lastmod>2026-02-20T06:06:31+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-libraries-prefer-pre-cleared-music/</loc>
		<lastmod>2026-02-20T06:06:04+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-catalog-based-licensing-works/</loc>
		<lastmod>2026-02-20T06:05:50+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-music-gets-discovered-without-direct-pitching/</loc>
		<lastmod>2026-02-20T06:05:26+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-only-famous-artists-get-passive-placements/</loc>
		<lastmod>2026-02-19T06:09:25+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/compounding-opportunities-over-time/</loc>
		<lastmod>2026-02-19T06:09:17+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-instrumental-breakdowns-matter/</loc>
		<lastmod>2026-02-19T06:08:46+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-gatekeepers-reduce-risk-for-clients/</loc>
		<lastmod>2026-02-19T06:08:28+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-organized-catalogs-perform-better/</loc>
		<lastmod>2026-02-19T06:08:21+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/instrumental-versions-and-edit-friendly-tracks/</loc>
		<lastmod>2026-02-19T06:07:38+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/algorithmic-catalog-matching-in-sync-licensing/</loc>
		<lastmod>2026-02-19T06:07:32+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/keywords-that-improve-sync-licensing-discoverability/</loc>
		<lastmod>2026-02-19T06:06:37+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-music-supervisors-search-library-catalogs/</loc>
		<lastmod>2026-02-19T06:06:31+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/the-difference-between-active-and-passive-sync-licensing/</loc>
		<lastmod>2026-02-19T06:06:15+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/metadata-and-searchability-in-sync-licensing/</loc>
		<lastmod>2026-02-19T06:05:30+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-most-sync-licensing-advice-online-is-accurate-2/</loc>
		<lastmod>2026-02-19T02:23:50+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/managing-expectations-around-sync-income/</loc>
		<lastmod>2026-02-19T02:23:26+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/catalog-planning-for-long-term-sync-earnings/</loc>
		<lastmod>2026-02-19T02:23:05+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/income-milestones-for-sync-licensing-artists/</loc>
		<lastmod>2026-02-19T02:22:44+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/examples-of-long-term-sync-income-growth/</loc>
		<lastmod>2026-02-19T02:22:22+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/common-payment-structures-in-production-music/</loc>
		<lastmod>2026-02-19T02:22:06+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/tracking-performance-royalties-from-sync-licensing/</loc>
		<lastmod>2026-02-19T02:21:29+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-artists-share-sync-fees-with-partners/</loc>
		<lastmod>2026-02-19T02:21:18+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-multiple-revenue-streams-stack-in-sync-licensing/</loc>
		<lastmod>2026-02-19T02:20:51+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/common-myths-about-making-money-from-sync-licensing/</loc>
		<lastmod>2026-02-19T02:20:49+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-passive-sync-licensing-means-doing-nothing/</loc>
		<lastmod>2026-02-18T06:08:32+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/building-momentum-with-catalog-growth/</loc>
		<lastmod>2026-02-18T06:08:04+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/music-libraries-vs-direct-supervisor-pitching/</loc>
		<lastmod>2026-02-18T06:07:46+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/clear-intros-and-endings-explained/</loc>
		<lastmod>2026-02-18T06:07:45+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/tag-based-search-vs-ai-based-matching/</loc>
		<lastmod>2026-02-18T06:07:34+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/creating-multiple-versions-for-licensing/</loc>
		<lastmod>2026-02-18T06:07:08+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/library-search-tools-explained/</loc>
		<lastmod>2026-02-18T06:06:53+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-supervisors-search-music-libraries/</loc>
		<lastmod>2026-02-18T06:06:29+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-libraries-pitch-without-artist-involvement/</loc>
		<lastmod>2026-02-18T06:06:06+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-artists-get-placements-without-pitching/</loc>
		<lastmod>2026-02-18T06:05:49+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/getting-music-placed-through-production-music-libraries/</loc>
		<lastmod>2026-02-18T06:05:25+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-only-instrumentals-make-money-in-sync-licensing/</loc>
		<lastmod>2026-02-18T02:23:47+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-artists-should-expect-in-year-one/</loc>
		<lastmod>2026-02-18T02:23:28+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/when-to-expand-your-sync-catalog/</loc>
		<lastmod>2026-02-18T02:23:03+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-success-looks-like-financially-in-sync-licensing/</loc>
		<lastmod>2026-02-18T02:22:44+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-artists-balance-cash-flow-and-royalties/</loc>
		<lastmod>2026-02-18T02:22:26+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-libraries-handle-publishing-shares/</loc>
		<lastmod>2026-02-18T02:22:08+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-some-placements-pay-more-over-time/</loc>
		<lastmod>2026-02-18T02:21:50+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-commercial-sync-licensing-pays-more/</loc>
		<lastmod>2026-02-18T02:21:21+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/sync-licensing-revenue-timelines-for-artists/</loc>
		<lastmod>2026-02-18T02:20:52+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/passive-vs-active-income-in-sync-licensing/</loc>
		<lastmod>2026-02-18T02:20:50+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-artists-must-cold-email-supervisors/</loc>
		<lastmod>2026-02-17T06:08:40+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-gatekeepers-exist-in-sync-licensing/</loc>
		<lastmod>2026-02-17T06:08:18+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-passive-sync-licensing-takes-time/</loc>
		<lastmod>2026-02-17T06:08:04+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/writing-edit-friendly-tracks-for-sync/</loc>
		<lastmod>2026-02-17T06:07:48+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-matching-systems-recommend-music/</loc>
		<lastmod>2026-02-17T06:07:45+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-catalog-size-matters-in-sync-licensing/</loc>
		<lastmod>2026-02-17T06:07:03+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-music-supervisors-discover-tracks-passively/</loc>
		<lastmod>2026-02-17T06:06:53+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-metadata-matters-in-sync-licensing/</loc>
		<lastmod>2026-02-17T06:06:29+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-production-libraries-drive-passive-placements/</loc>
		<lastmod>2026-02-17T06:06:04+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-passive-placement-means-in-sync-licensing/</loc>
		<lastmod>2026-02-17T06:05:49+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-passive-sync-licensing-placement-works/</loc>
		<lastmod>2026-02-17T06:05:29+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-sync-licensing-replaces-streaming-revenue/</loc>
		<lastmod>2026-02-17T02:23:49+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/typical-revenue-cycles-in-sync-licensing/</loc>
		<lastmod>2026-02-17T02:23:34+00:00</lastmod>
	</url>
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