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		<loc>https://thatpitch.com/blog/what-performance-royalties-are-in-sync-licensing/</loc>
		<lastmod>2026-02-10T02:21:45+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-a-sync-fee-is-in-sync-licensing/</loc>
		<lastmod>2026-02-10T02:21:34+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/types-of-income-artists-earn-from-sync-licensing/</loc>
		<lastmod>2026-02-10T02:20:50+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/the-different-ways-artists-get-paid-in-sync-licensing/</loc>
		<lastmod>2026-02-10T02:20:43+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-royalty-statements-work/</loc>
		<lastmod>2026-02-10T01:43:41+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-production-libraries-avoid-risky-catalogs/</loc>
		<lastmod>2026-02-10T01:43:04+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-consistency-matters-more-than-one-track/</loc>
		<lastmod>2026-02-10T01:42:50+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-often-artists-can-resubmit-music/</loc>
		<lastmod>2026-02-10T01:42:32+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/when-non-exclusive-production-libraries-make-sense/</loc>
		<lastmod>2026-02-10T01:42:05+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-long-relationships-with-production-libraries-last/</loc>
		<lastmod>2026-02-10T01:41:48+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-artists-rarely-know-when-tracks-are-pitched/</loc>
		<lastmod>2026-02-10T01:41:28+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-production-music-is-built-for-licensing/</loc>
		<lastmod>2026-02-10T01:41:17+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-non-exclusive-production-libraries-make-money/</loc>
		<lastmod>2026-02-10T01:40:53+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-production-music-libraries-look-for-in-sync-ready-music/</loc>
		<lastmod>2026-02-10T01:40:00+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/cue-sheets-and-backend-royalties-in-sync-licensing/</loc>
		<lastmod>2026-02-09T02:23:58+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/international-backend-royalties-explained/</loc>
		<lastmod>2026-02-09T02:23:40+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-backend-income-takes-time/</loc>
		<lastmod>2026-02-09T02:23:18+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-pros-pay-after-sync-licensing-placements/</loc>
		<lastmod>2026-02-09T02:23:06+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-writers-earn-from-backend-royalties/</loc>
		<lastmod>2026-02-09T02:23:02+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/performance-royalties-vs-sync-fees-explained/</loc>
		<lastmod>2026-02-09T02:22:36+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-backend-royalties-can-outlast-sync-fees/</loc>
		<lastmod>2026-02-09T02:22:23+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-artists-earn-publishing-income-after-sync/</loc>
		<lastmod>2026-02-09T02:22:20+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/long-term-earnings-from-sync-licensing-catalogs/</loc>
		<lastmod>2026-02-09T02:21:57+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-backend-royalties-are-in-sync-licensing/</loc>
		<lastmod>2026-02-09T02:21:39+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-artists-make-money-from-sync-licensing/</loc>
		<lastmod>2026-02-09T02:19:59+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-production-libraries-only-work-with-big-studios/</loc>
		<lastmod>2026-02-09T01:44:00+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-payments-are-delayed-in-production-music/</loc>
		<lastmod>2026-02-09T01:43:25+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-libraries-verify-ownership/</loc>
		<lastmod>2026-02-09T01:43:07+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-mood-and-emotion-drive-library-selection/</loc>
		<lastmod>2026-02-09T01:42:39+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-timing-matters-for-production-library-acceptance/</loc>
		<lastmod>2026-02-09T01:42:29+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/when-exclusive-production-libraries-make-sense/</loc>
		<lastmod>2026-02-09T01:41:55+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-happens-after-music-is-accepted-by-a-production-library/</loc>
		<lastmod>2026-02-09T01:41:44+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-fast-production-libraries-respond-to-sync-requests/</loc>
		<lastmod>2026-02-09T01:41:20+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-exclusive-deals-affect-production-library-revenue/</loc>
		<lastmod>2026-02-09T01:40:53+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/the-difference-between-production-music-and-commercial-releases/</loc>
		<lastmod>2026-02-09T01:40:43+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-production-music-libraries-accept-and-reject-music/</loc>
		<lastmod>2026-02-09T01:39:55+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-artists-cant-make-money-in-production-music/</loc>
		<lastmod>2026-02-08T01:43:57+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/when-artists-and-producers-get-paid/</loc>
		<lastmod>2026-02-08T01:43:23+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-happens-if-rights-arent-cleared/</loc>
		<lastmod>2026-02-08T01:43:00+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-genres-production-libraries-need-most/</loc>
		<lastmod>2026-02-08T01:42:49+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-subjective-taste-affects-production-library-decisions/</loc>
		<lastmod>2026-02-08T01:42:19+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-exclusivity-affects-sync-licensing-income/</loc>
		<lastmod>2026-02-08T01:42:06+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-communication-works-with-production-libraries/</loc>
		<lastmod>2026-02-08T01:41:43+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-often-tracks-are-pitched-in-production-libraries/</loc>
		<lastmod>2026-02-08T01:41:15+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-some-production-libraries-offer-advances/</loc>
		<lastmod>2026-02-08T01:40:56+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-production-music-libraries-serve-artists-and-producers/</loc>
		<lastmod>2026-02-08T01:40:40+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/exclusive-vs-non-exclusive-production-music-libraries/</loc>
		<lastmod>2026-02-08T01:39:59+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-most-sync-licensing-advice-online-is-accurate/</loc>
		<lastmod>2026-02-07T04:56:24+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/who-sync-licensing-is-not-a-good-fit-for/</loc>
		<lastmod>2026-02-07T04:56:10+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-client-needs-shape-sync-licensing-trends/</loc>
		<lastmod>2026-02-07T04:55:25+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-project-type-affects-sync-licensing-terms/</loc>
		<lastmod>2026-02-07T04:55:21+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/choosing-the-right-sync-path-as-a-producer/</loc>
		<lastmod>2026-02-07T04:54:35+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/common-sync-licensing-issues-for-bands/</loc>
		<lastmod>2026-02-07T04:54:25+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/realistic-expectations-for-indie-artists-in-sync-licensing/</loc>
		<lastmod>2026-02-07T04:53:33+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/which-type-of-licensing-matters-most-for-artists/</loc>
		<lastmod>2026-02-07T04:53:17+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/a-step-by-step-example-of-sync-licensing-for-artists/</loc>
		<lastmod>2026-02-07T04:52:39+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/a-simple-example-of-sync-licensing-in-action/</loc>
		<lastmod>2026-02-07T03:09:53+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/common-myths-about-sync-licensing-for-artists/</loc>
		<lastmod>2026-02-07T03:07:30+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-production-music-is-low-quality/</loc>
		<lastmod>2026-02-07T01:44:03+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-backend-royalties-flow-through-production-libraries/</loc>
		<lastmod>2026-02-07T01:43:30+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-production-libraries-handle-co-writers/</loc>
		<lastmod>2026-02-07T01:43:03+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-edit-friendly-tracks-perform-better/</loc>
		<lastmod>2026-02-07T01:42:48+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-good-tracks-get-rejected-by-production-libraries/</loc>
		<lastmod>2026-02-07T01:42:26+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/pros-and-cons-of-non-exclusive-production-libraries/</loc>
		<lastmod>2026-02-07T01:42:02+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-production-libraries-expect-from-producers/</loc>
		<lastmod>2026-02-07T01:41:50+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-not-every-track-gets-pitched/</loc>
		<lastmod>2026-02-07T01:41:24+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-production-music-libraries-split-income/</loc>
		<lastmod>2026-02-07T01:41:07+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-production-music-libraries-serve-clients/</loc>
		<lastmod>2026-02-07T01:40:50+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-artists-and-producers-work-with-production-music-libraries/</loc>
		<lastmod>2026-02-07T01:39:57+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-artists-must-pitch-directly-to-supervisors/</loc>
		<lastmod>2026-02-06T04:56:16+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-to-measure-progress-in-sync-licensing/</loc>
		<lastmod>2026-02-06T04:55:45+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-clients-avoid-unclear-rights-in-sync-licensing/</loc>
		<lastmod>2026-02-06T04:55:22+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-some-projects-pay-more-in-sync-licensing/</loc>
		<lastmod>2026-02-06T04:55:11+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/common-sync-licensing-mistakes-producers-make/</loc>
		<lastmod>2026-02-06T04:54:41+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-bands-prepare-music-for-sync-licensing/</loc>
		<lastmod>2026-02-06T04:53:42+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-independent-artists-scale-sync-licensing/</loc>
		<lastmod>2026-02-06T04:53:33+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-music-libraries-simplify-sync-licensing/</loc>
		<lastmod>2026-02-06T04:52:57+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-long-sync-licensing-usually-takes-for-artists/</loc>
		<lastmod>2026-02-06T04:52:33+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-sync-licensing-is-the-same-as-music-distribution/</loc>
		<lastmod>2026-02-06T03:09:46+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/is-sync-licensing-worth-it-for-artists/</loc>
		<lastmod>2026-02-06T03:07:49+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-production-music-libraries-guarantee-placements/</loc>
		<lastmod>2026-02-06T01:44:41+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-sync-fees-are-split-in-production-music/</loc>
		<lastmod>2026-02-06T01:44:23+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-one-stop-clearance-works-in-production-music/</loc>
		<lastmod>2026-02-06T01:44:22+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-arrangement-affects-sync-success/</loc>
		<lastmod>2026-02-06T01:43:38+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-rejected-means-in-production-music-libraries/</loc>
		<lastmod>2026-02-06T01:43:31+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/pros-and-cons-of-exclusive-production-libraries/</loc>
		<lastmod>2026-02-06T01:42:41+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/what-production-libraries-expect-from-artists/</loc>
		<lastmod>2026-02-06T01:42:23+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-libraries-match-music-to-client-needs/</loc>
		<lastmod>2026-02-06T01:41:43+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/backend-royalties-in-production-music-libraries/</loc>
		<lastmod>2026-02-06T01:41:32+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/why-production-music-libraries-exist-in-sync-licensing/</loc>
		<lastmod>2026-02-06T01:41:15+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/how-production-music-libraries-pitch-music-for-sync/</loc>
		<lastmod>2026-02-06T01:40:21+00:00</lastmod>
	</url>
	<url>
		<loc>https://thatpitch.com/blog/myth-rejection-means-your-music-is-bad/</loc>
		<lastmod>2026-02-05T04:56:17+00:00</lastmod>
	</url>
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