— 11 minutes — Mark Eckert
Myth: Production Music Is Only for TV
Ever felt like your awesome track deserves more than just your Spotify playlist? You’ve heard about sync licensing – getting your music in films, TV, games, commercials – and your ears perk up. But then you hear “production music” and immediately think “boring elevator music for documentaries,” right? You start picturing drab, generic tunes only fit for local news segments, and you wonder if your edgy indie-pop or soulful R&B track has any business in that world.
TL;DR: Production Music isn’t just for TV. It’s everywhere. Your music has a home there. Don’t limit your opportunities. Get started with That Pitch.
What Exactly Is Production Music, Anyway?
Let’s clear the air. “Production music” is just a fancy way of saying “music created specifically to be sync licensed for various media productions.” Think of it as a vast, organized sync library full of musical tools. These tools are designed to serve a purpose: to enhance a visual story, set a mood, or drive a narrative.
It’s not about being bland. In fact, it’s about being versatile and hitting specific emotional or stylistic targets. Sometimes that means subtle background music, yes, but often it means punchy, memorable tracks that make a scene pop.
Many people believe that production music is solely for television, but this misconception overlooks its versatility and wide-ranging applications. In fact, production music can enhance various media projects, including films, podcasts, and online content. For a deeper understanding of the best music libraries available for different creative needs, you can check out this insightful article: Best Music Library. This resource highlights how production music can elevate any project beyond the confines of traditional TV usage.
The Elephant in the Room: The “TV-Only” Myth
Okay, so where did this idea come from that production music is exclusively for television? It’s like thinking a hammer is only for nails. Sure, nails are a big job for hammers, but they also pull things apart, tap things into place, or even act as a makeshift paperweight.
The TV industry was one of the earliest and biggest consumers of production music because of its constant demand for affordable, pre-cleared audio. So, it became synonymous. But the world has changed, and the demand for music has exploded.
Beyond the Boob Tube: A Universe of Opportunities
So, if not just TV, then where else? The answer is “everywhere music is used in a production.” It’s a huge landscape, constantly expanding. Your tracks could end up in places you haven’t even considered.
Advertising: More Than Just Jingles
Forget the cheesy jingles of yesteryear. Modern advertising thrives on evocative, cutting-edge music. A quirky indie track might score a Gen Z clothing ad. A soaring orchestral piece could elevate a luxury car commercial. Brands want to connect emotionally, and music is their secret weapon. They’re constantly looking for fresh sounds that resonate with their target audience, and often, that’s music from independent artists like you.
Gaming: The Ultimate Immersion Tool
Think about your favorite video game. What would it be without its soundtrack? From epic battle scores to ambient exploration music, sound is critical for immersion. Game developers need music for everything: menu screens, character themes, action sequences, emotional cutscenes, victory fanfares, and defeat dirges. This isn’t just about massive AAA titles; smaller indie games are also hungry for unique music that sets them apart.
Film: Short Films, Documentaries, Indie Features
While blockbuster movies might commission original scores, there’s a whole world of independent films, student projects, documentaries, and even corporate training videos that rely heavily on production music. These filmmakers often operate on tighter budgets and timelines but still need high-quality music to tell their stories effectively. Your track could be the emotional core of an award-winning short or the driving beat behind a powerful documentary.
Digital Content: The Exploding Frontier
This is arguably the fastest-growing area. Think YouTube videos, podcasts, social media campaigns, explainer videos, online courses, and corporate presentations. Every single content creator on these platforms needs music. They need intros, outros, background music, stingers, and sound effects. The sheer volume of digital content being produced daily means an insatiable demand for diverse music. Your music isn’t just for a traditional “broadcast” anymore; it’s for anyone pushing play on their phone or laptop.
Corporate Videos: Engaging the Workforce
“Boring corporate videos?” Not anymore. Companies are investing in high-quality, engaging video content for internal communications, training, product launches, and investor relations. They want their videos to feel polished and professional, and that requires compelling music. A well-placed, energetic track can transform a dull quarterly report into an inspiring message.
Why Your Music Fits the Production Music Mold (Even if You Don’t Think It Does)
You might be thinking, “But my music is art. It’s not ‘generic’.” And you’re right! Your music is art. But here’s the thing: production music isn’t about being generic; it’s about being purposeful.
Think of it like a chef. They have all sorts of ingredients. Some are bold, some are subtle. They choose the right ingredient for the right dish. Your unique sound, your signature style – that’s a brilliant ingredient.
Versatility is Key, Not Homogeneity
The key isn’t to make your music sound like everything else. It’s to understand how your music can serve a broader purpose. Your specific aesthetic might be exactly what a project needs to stand out. A director looking for something gritty and urban won’t go for a classical piece. Your niche, your vibe, is a selling point, not a hindrance.
Understanding “Briefs” and “Tags”
In sync licensing, music is often categorized by mood, genre, instrumentation, and potential use cases (e.g., “upbeat”, “dramatic build”, “corporate”, “romantic”, “tension underscore”). When you contribute your music, you’ll be encouraged to tag it descriptively. This helps music supervisors find exactly what they’re looking for, even if they don’t know your name directly. Your tracks aren’t just sitting there; they’re searchable assets.
You can learn more about the misconceptions surrounding production music libraries by reading this article.
Action Steps: Getting Your Music into the Mix
Okay, convinced your music has more potential than just a playlist? Great! Here’s how you can start exploring the production music world.
Step 1: Polish Your Tracks
This goes without saying, but it’s worth repeating: quality matters. Your music needs to be well-produced, mixed, and mastered. This doesn’t mean it needs to sound like a million-dollar studio, but it does need to sound professional and ready for broadcast. Imagine it playing next to music from established artists – does it hold up?
Step 2: Understand the Sync licensing World
Dive a little deeper into how sync licensing works. Learn about terms like “master use sync license” and “synchronization sync license.” Don’t worry, you don’t need a law degree. Platforms like That Pitch simplify this process, but a basic understanding empowers you.
Step 3: Create Instrumental Versions
This is crucial for production music. Often, a music supervisor loves the feel of your track but needs it without vocals so it doesn’t clash with dialogue. Always have a clean instrumental version (and sometimes even stems – isolated tracks like drums, bass, etc.) ready to go. This significantly increases your track’s sync licensing potential.
Step 4: Tag Your Music Meticulously
When you upload your music, you’ll have the opportunity to add metadata. This is like creating a detailed resume for your song. Describe its mood, genre, tempo, instrumentation, lyrical themes (if applicable), and potential uses. The more descriptive you are, the easier it is for your music to be discovered.
Step 5: Start Distributing Smartly
This is where platforms like That Pitch come in. We bridge the gap between your music and the hundreds of sync libraries and music supervisors looking for new sounds daily. Instead of trying to connect with each sync library individually (which can be a full-time job), you can use a single platform to reach many.
Many people believe that production music is only suitable for television, but this misconception overlooks its versatility in various media. In fact, production music can enhance everything from films to online content, making it a valuable resource for creators across different platforms. For a deeper understanding of how sync licensing works and its significance in the industry, you can explore this insightful article on sync licensing. This resource highlights the importance of music in storytelling and how it can elevate your projects beyond traditional uses.
Common Mistakes to Avoid (And How to Fix Them)
It’s easy to stumble when you’re new to something. Here are a few common pitfalls and how to steer clear of them.
Mistake 1: Not Having Instrumentals
The Problem: You have an amazing song, but only with vocals. A music supervisor loves the vibe but needs instrumentals for background music. Since you don’t have one, they move on.
The Fix: Make instrumental versions of all your tracks suitable for sync. Seriously, do it.
Mistake 2: Poor Metadata/Tagging
The Problem: Your track “Sunrise Echoes” is uploaded with only “pop” as a tag. A music supervisor searches for “uplifting acoustic indie folk for travel montage.” Your track, which perfectly fits, isn’t found.
The Fix: Be incredibly detailed with your tags. Think like a music supervisor searching for music. Use adjectives, emotions, potential scenes, and instrumentation. “Acoustic, folk-pop, uplifting, hopeful, travel, road trip, indie, male vocals, acoustic guitar, piano, light drums, morning, sunrise.”
Mistake 3: Only Submitting Your “Best” (Meaning, Most Complex) Tracks
The Problem: You only send in your magnum opus, the 5-minute epic with multiple tempo changes and complex arrangements. While brilliant, it might be too much for many sync needs.
The Fix: Think about versatility. Some of your simpler, more straightforward tracks might be perfect for production music. Often, music supervisors need tracks that complement, not overshadow, the visuals. Don’t be afraid to submit shorter, more focused pieces or even music that feels like a backing track.
Mistake 4: Giving Up Too Soon
The Problem: You submit a few tracks, don’t get a placement in a month, and decide sync isn’t for you.
The Fix: Sync licensing is a marathon, not a sprint. It takes time for music supervisors to find your music, and for projects to materialize. Keep creating, keep submitting, and keep refining your approach. Every track you upload is another fishing line in the water.
Real-World Mini Case Study: The “Coffee Shop Anthem”
Let’s imagine your track, “Morning Brew,” is a chill, acoustic, slightly quirky pop song. It tells a simple story about enjoying the start of the day.
Initial thought (Myth): “This is too specific; it’s just a song. And it’s definitely not for TV.”
Actual Use Cases (Reality):
- YouTube Vlog: A travel vlogger uses an instrumental snippet of “Morning Brew” as background music for their “morning routine in Paris” vlog, loving its relaxed, pleasant vibe.
- Indie Commercial: A local coffee shop chain uses an instrumental version for their new series of social media ads, showcasing customers enjoying their products. The quirky acoustic guitar hooks perfectly with their artisan brand.
- Podcast Intro/Outro: A popular podcast about mindfulness and productivity uses a 15-second cut of “Morning Brew” for their weekly intro and outro, liking its calming yet uplifting energy.
- Short Film: A student film about a character’s journey of self-discovery uses the full vocal version during a montage sequence showing the character finding peace and routine.
See? “Morning Brew,” your perfectly crafted song, found its purpose far beyond linear television, generating income in diverse contexts because it was available and well-described.
Key Takeaways
- Production music is not a dirty word: It’s a massive, diverse sector of the music industry.
- Your music has a home there: Don’t pigeonhole your sound. It might be exactly what someone needs.
- Opportunities are everywhere: TV, film, games, ads, digital content – the list is endless.
- Preparation is key: High-quality tracks, instrumentals, and diligent tagging are your best friends.
- Patience and persistence pay off: Keep at it!
Ready to expand your musical horizons and start earning from placements you never imagined?
Create a free That Pitch account to distribute your music into real sync libraries and keep 100% of your earnings.
FAQs
What is production music?
Production music, also known as sync library music or stock music, is pre-composed music that can be sync licensed for use in various media projects such as films, commercials, video games, and online content.
Is production music only used for television?
No, production music is used across a wide range of media including films, radio, video games, online videos, podcasts, and advertising, not just television.
How is production music licensed?
Production music is typically sync licensed through music libraries or agencies, allowing users to legally use the tracks in their projects by paying a fee or subscription, depending on the sync licensing terms.
Can production music be customized for specific projects?
Yes, some production music libraries offer customizable tracks or stems that can be edited or adapted to better fit the specific needs of a project.
What are the benefits of using production music?
Production music offers a cost-effective, time-saving solution with a wide variety of genres and styles, making it accessible for creators who need quality music without commissioning original compositions.