Everything
you need for
Sync Licensing
Distribute your tracks into
100+ of the world’s top sync libraries
Get paid 100% for every sync placement
Unlimited uploads & artist profiles
Musicians, join now—it’s free
Member rating 9.0 | 1.3k+ reviews
Skip the grind
Pitching? Pointless.
Revisions? For what?
Back-and-forth emails? A waste of time.
You don’t need any of it.
99% of sync placements come from music libraries.
That Pitch gets your music into those libraries — automatically.
Libraries sell it. You get paid 100%.
No chasing. No begging. No wasting years doing it the hard way.
Make music. We’ll handle the rest.
- Mark
(i built this thing!)Libraries we distribute into
Plus 70+ more.
Wild right.
Musicians, join now—it’s free
“The easiest & fastest way to get your tracks into libraries.”
Joel T. Jordan | Founder of Synchtank
What you get
Library Distribution
Stop chasing emails, follow-ups, and endless revisions. That Pitch gets your music into the world’s top sync libraries in minutes. No pitching. No waiting. Just placements.
Stop chasing emails, follow-ups, and endless revisions. That Pitch gets your music into the world’s top sync libraries in minutes. No pitching. No waiting. Just placements.
Unlimited Artist Profiles
You’re not just one sound. Lo-fi one day, EDM the next? Create as many artist profiles as you need—without messing up your personal brand.
You’re not just one sound. Lo-fi one day, EDM the next? Create as many artist profiles as you need—without messing up your personal brand.
100% of Your Earnings
Every sync fee. Every royalty. All yours. We handle the admin, so you get paid—on time, every time.
Every sync fee. Every royalty. All yours. We handle the admin, so you get paid—on time, every time.
Unlimited Uploads
Got a demo? A masterpiece? A track sitting on your hard drive? Upload as much as you want—no limits, no penalties, just sync-ready music.
Got a demo? A masterpiece? A track sitting on your hard drive? Upload as much as you want—no limits, no penalties, just sync-ready music.
Our Members Love Us
Tracks uploaded in seconds. Automatic legal clearance. No revisions. Daily briefs. A thriving artist community. 9.0 rating from 1.3k+ reviews.
Tracks uploaded in seconds. Automatic legal clearance. No revisions. Daily briefs. A thriving artist community. 9.0 rating from 1.3k+ reviews.
Sync Without the Struggle
Skip the years of cold pitching and legal confusion. That Pitch puts your music where syncs actually happen—music libraries.
Skip the years of cold pitching and legal confusion. That Pitch puts your music where syncs actually happen—music libraries.
“99% of sync, for 1% of the effort.”
Kevin McCloskey | 5x Grammy Nominated, 32x RIAA Platinum Engineer
Musicians, join now—it’s free
What top sync voices say
about That Pitch
Netflix, NBC, BET
"After telling people to sign up for BMI, I tell them to get a That Pitch account. It’s the easiest & fastest way to get your music into libraries. It’s dope, and it’s become the industry standard for the indie production & artist community."
Producer, Future Perfect / Little Ears
"Everyone in sync should be on That Pitch. It’s a total game changer. Mark runs it with full transparency, and it’s the only platform that truly balances the needs of artists and libraries while getting music placed."
Apple, Genesis, Verizon
"When I started pursuing sync, That Pitch changed everything. TP got a bunch of my tracks into libraries. I landed 9 placements in one month—enough to quit my job and go full-time in music. If you’re serious about getting into music libraries, this is where you need to be."
Founder, Synchtank
"That Pitch is, simply put, the easiest way for artists and producers to get their music into libraries. Every independent musician should be using it—it’s a no-brainer."
Apple, Netflix, Marvel
"If you’re an independent artist trying to land placements, this is the spot. Period. No fluff, no nonsense—just a direct path into the best music libraries."
Musicians, join now—it’s free
Not everything under the sun,
just the stuff to get syncs done.
You’ve probably been told to pitch music supervisors. To send endless emails. To “network” your way into placements. To wait for some gatekeeper to maybe give you a shot.
It’s all bullshit.
Here’s the truth:
99% of sync placements come from music libraries.
That’s where music supervisors, agents, brands, networks, filmmakers, ad agencies, and millions of content creators actually go when they need music.
If your music isn’t in libraries, it’s invisible.
That Pitch puts your tracks into the world’s top sync libraries automatically.
You upload, we handle everything:
- Clearing legal requirements
- Formatting metadata
- Delivering to libraries
- Getting you paid 100%
No pitching. No revisions (omg whaaa). No waiting. No learning curve.
Just your music, in the right place, in front of customers, ready to be licensed.
You don’t need to grind. You don’t need to beg. You just need to be where sync happens.
Get your music in libraries. That’s it.
—Mark
Musicians, join now—it’s free
You wouldn’t be here if your way of doing sync was working.
It’s time for That Pitch.
Cold-emailing music supervisors? It’s time for That Pitch.
Sending tracks into the void, hoping for a response? It’s time for That Pitch.
Trying to crack sync with zero industry connections? It’s time for That Pitch.
Drowning in legal, revisions, metadata, and endless rules? It’s time for That Pitch.
Pulled an all-nighter for a last-minute brief—only to get ghosted? It’s time for That Pitch.
Your “co-writer” took 100% of the sync fee, and they only own 10%? It’s time for That Pitch.
Your “agent” took 90% of the sync fee, and you heard that’s normal? It’s time for That Pitch.
S
Spending hours tweaking a song because some random agent said “almost”? It’s time for That Pitch.
Did 9 revision requests on a track, just to ge an email “not what we’re looking for”? It’s time for That Pitch.
Wondering why everyone else is landing placements except you? It’s time for That Pitch.
99% of sync placements come from music libraries.
That Pitch gets you in— automatically.
That means: No pitching. No waiting. No begging.
Just sync, the way it should be.
In the background, working for you —not against you.
—Mark
Musicians, join now—it’s free
Artists love That Pitch
Ian Kelosky
“That Pitch made getting my music into libraries effortless. It saved me so much time, got my tracks in tons of great libraries, and ultimately led to way more placements. Thanks to That Pitch, I’m closing in on $100,000 USD from placements and PRO royalties—all from libraries they got my music into.”
Daniele Musto
“That Pitch made getting into libraries so easy. I’ve placed almost 130 tracks—120 of them exclusive—and earned nearly $30K from placements, plus at least $7K in backend PRO royalties! Because of this, I’m landing even more projects! Young & The Restless, Warner Chappell, Marmoset, Atrium, Northstar, Kobe, 21 South, So Stereo—and now even working on projects for European Amori & Bibliotecheque! And all of this from my little studio in SWEDEN, all across multiple artist profiles! The key is persistence, patience, and high-quality music. Plus, staying versatile and not locking into one genre. Just make music. That’s been the winning formula for me—and That Pitch made it easy!”Casey Heyo
“My track is #4 on Soundstripe’s top 10 list for house music! 
I’m so happy! Thank you That Pitch!”
Ksenia Foka
“Just got yet another track into another library thanks to That Pitch. You guys are the best.”Andre Calloway
"My track got placed on N-TV Wissen! I'm over the moon to see all this action on this quarter's royalty statement. I give the utmost gratitude to That Pitch! Without them NONE of this would be possible. They’ve made getting into libraries so easy! You guys rock! I’m officially a sync producer! This is literally a dream come true! Massive shoutout to Mark and the #tpcrew!" xJ-Will
"By far my FAVORITE company to work with! That Pitch is NEXT LEVEL for producers & artists—so much value, full transparency, and a genuine commitment to every member. They got my tracks into libraries effortlessly, and in just a few months, I landed over 10 placements, all paid out in full. If I could give them 10 stars, I would!" Hunter Heflin
“Had to share this…I’m watching the Eastern Conference Finals Celtics/Heat last night on a whim and all of the sudden I hear a familiar song playing during a commercial for the NBA.So I’m trying to place it for a few seconds then I‘m like hang on…I made this song?? I got this track into a library through That Pitch! Surreal moment and wanted to shoutout the whole crew at That Pitch for making this possible. Much love and looking forward to more wins!” Brendan McPherson
"I’ve had 6 tracks accepted into libraries through That Pitch so far. They’ve all been earning royalties, and I’ve even gotten paid placement fees. I have about 80 tracks signed with exclusive libraries, but these 6 tracks through That Pitch continue to be the top earners in my catalog. Also, I just found out that the first album I ever signed to a production library (outside of That Pitch) was only published this week… and I signed that deal YEARS ago. Meanwhile, through That Pitch, I got tracks into libraries, got paid upfront sync fees, and have already received backend royalties from my PRO—all from libraries That Pitch delivered my tracks to. That Pitch makes it so easy. You guys are doing something special!” Nick Cocozella
"HUGE shoutout to Mark and the That Pitch team! Just checked my 2nd quarter BMI royalty statement and saw a (huge to me) payout under YouTube Free. Two tracks I placed almost a year ago racked up over 3,000,000+ plays—synced in some YouTube videos! And all of this came from the libraries That Pitch got my tracks into. WOW, I had no idea YouTube Free was such a lucrative source. On top of that, my Spotify streams have grown thanks to all the people discovering my music through these YouTube videos. I guess I just need to trust the process—I keep hearing Mark talk about it. Oh, and I just had a song I placed a few months ago end up on commercial radio! Like… what?!? So cool." Wesley James Taylor
I can't recommend That Pitch enough! Got my tracks into libraries. Landed my first ever sync placement. Also, the staff are incredible humans! Sam Witt
My daughter was playing a game on her phone, and one of the ads played and had my music on it! That song was delivered to libraries through That Pitch 🤘🏽 It was a proud dad moment to say, hey that was mine. 🙂 Also, seeing a track of mine get repeat usage on ATL Homicide. That track was also delivered to libraries through That Pitch! Michael Briguglio
"Only three months in, and That Pitch has already gotten me 13 placements all thanks to That Pitch! TP delivers incredible value to its members and the libraries they work with. Mark puts in the work to grow this platform into an amazing community and is always there to help with a genuinely supportive attitude. Can’t say enough good things! Also, just received my biggest royalty check yet! Three of my tracks were placed in the A&E show Killer Cases, along with multiple placements on Fox Sports, ESPN, and NBC. This isn’t a post to brag—just a reminder to keep working hard, believe in ourselves, and have LOTS of patience. It will all pay off, and having That Pitch in our corner makes the journey that much easier."
“That Pitch made getting my music into libraries effortless. It saved me so much time, got my tracks in tons of great libraries, and ultimately led to way more placements. Thanks to That Pitch, I’m closing in on $100,000 USD from placements and PRO royalties—all from libraries they got my music into.”
Daniele Musto
“That Pitch made getting into libraries so easy. I’ve placed almost 130 tracks—120 of them exclusive—and earned nearly $30K from placements, plus at least $7K in backend PRO royalties! Because of this, I’m landing even more projects! Young & The Restless, Warner Chappell, Marmoset, Atrium, Northstar, Kobe, 21 South, So Stereo—and now even working on projects for European Amori & Bibliotecheque! And all of this from my little studio in SWEDEN, all across multiple artist profiles! The key is persistence, patience, and high-quality music. Plus, staying versatile and not locking into one genre. Just make music. That’s been the winning formula for me—and That Pitch made it easy!”
“My track is #4 on Soundstripe’s top 10 list for house music!
I’m so happy! Thank you That Pitch!”Ksenia Foka
“Just got yet another track into another library thanks to That Pitch. You guys are the best.”
Andre Calloway
"My track got placed on N-TV Wissen! I'm over the moon to see all this action on this quarter's royalty statement. I give the utmost gratitude to That Pitch! Without them NONE of this would be possible. They’ve made getting into libraries so easy! You guys rock! I’m officially a sync producer! This is literally a dream come true! Massive shoutout to Mark and the #tpcrew!"
"My track got placed on N-TV Wissen! I'm over the moon to see all this action on this quarter's royalty statement. I give the utmost gratitude to That Pitch! Without them NONE of this would be possible. They’ve made getting into libraries so easy! You guys rock! I’m officially a sync producer! This is literally a dream come true! Massive shoutout to Mark and the #tpcrew!"
"By far my FAVORITE company to work with! That Pitch is NEXT LEVEL for producers & artists—so much value, full transparency, and a genuine commitment to every member. They got my tracks into libraries effortlessly, and in just a few months, I landed over 10 placements, all paid out in full. If I could give them 10 stars, I would!"
“Had to share this…I’m watching the Eastern Conference Finals Celtics/Heat last night on a whim and all of the sudden I hear a familiar song playing during a commercial for the NBA.So I’m trying to place it for a few seconds then I‘m like hang on…I made this song?? I got this track into a library through That Pitch! Surreal moment and wanted to shoutout the whole crew at That Pitch for making this possible. Much love and looking forward to more wins!”
"I’ve had 6 tracks accepted into libraries through That Pitch so far. They’ve all been earning royalties, and I’ve even gotten paid placement fees. I have about 80 tracks signed with exclusive libraries, but these 6 tracks through That Pitch continue to be the top earners in my catalog. Also, I just found out that the first album I ever signed to a production library (outside of That Pitch) was only published this week… and I signed that deal YEARS ago. Meanwhile, through That Pitch, I got tracks into libraries, got paid upfront sync fees, and have already received backend royalties from my PRO—all from libraries That Pitch delivered my tracks to. That Pitch makes it so easy. You guys are doing something special!”
"HUGE shoutout to Mark and the That Pitch team! Just checked my 2nd quarter BMI royalty statement and saw a (huge to me) payout under YouTube Free. Two tracks I placed almost a year ago racked up over 3,000,000+ plays—synced in some YouTube videos! And all of this came from the libraries That Pitch got my tracks into. WOW, I had no idea YouTube Free was such a lucrative source. On top of that, my Spotify streams have grown thanks to all the people discovering my music through these YouTube videos. I guess I just need to trust the process—I keep hearing Mark talk about it. Oh, and I just had a song I placed a few months ago end up on commercial radio! Like… what?!? So cool."
I can't recommend That Pitch enough! Got my tracks into libraries. Landed my first ever sync placement. Also, the staff are incredible humans!
My daughter was playing a game on her phone, and one of the ads played and had my music on it! That song was delivered to libraries through That Pitch 🤘🏽 It was a proud dad moment to say, hey that was mine. 🙂 Also, seeing a track of mine get repeat usage on ATL Homicide. That track was also delivered to libraries through That Pitch!
"Only three months in, and That Pitch has already gotten me 13 placements all thanks to That Pitch! TP delivers incredible value to its members and the libraries they work with. Mark puts in the work to grow this platform into an amazing community and is always there to help with a genuinely supportive attitude. Can’t say enough good things! Also, just received my biggest royalty check yet! Three of my tracks were placed in the A&E show Killer Cases, along with multiple placements on Fox Sports, ESPN, and NBC. This isn’t a post to brag—just a reminder to keep working hard, believe in ourselves, and have LOTS of patience. It will all pay off, and having That Pitch in our corner makes the journey that much easier."
Musicians, join now—it’s free
Libraries love That Pitch
Trevor Hinesley | Co-Founder, Soundstripe
"That Pitch does an incredible job balancing the needs of music makers and the team at Soundstripe. Mark, the founder is an incredibly hard worker, a fellow artist himself, and an all-around standup guy.” Joel T. Jordan | Founder, Synchtank
“For decades, production music libraries have been stuck without the infrastructure that DSP’s such as Spotify & Apple Music take for granted—independent distributors, sonic fingerprinting, global licensing frameworks for negotiating rates through Merlin. I can say with confidence, That Pitch has built exactly that for the sync world. They get exactly what both artists and libraries need, and they’ve created a system that makes sourcing, clearing, and licensing music seamless for any library, anywhere. This changes everything. If you're a library looking for the smartest and easiest way to grow your catalog, you need to be using That Pitch.
Mike Savage | Senior Music Curator, Feed Media Group
"That Pitch just makes things easy. Everything’s pre-cleared, formatted perfectly, and ready to go." Brian Karscig | Founder, Plus Music
“They just get it. From day 1, That Pitch has been super dialed in—pre-cleared, formatted exactly to our metadata specs, and built for our PRO & usage requirements.”
Christian Walker | Co-Founder, Tunestock
"We’ve built out our catalog fast with That Pitch. The process is seamless, and the tracks always show up exactly how we need them according to our specs."
Matt Arcaini | Founder, Wavmaker
“That Pitch makes it stupid easy. Everything’s cleared, formatted right, and ready to go. That’s rare in our space. An invaluable tool which has saved our team so much time.”
"That Pitch does an incredible job balancing the needs of music makers and the team at Soundstripe. Mark, the founder is an incredibly hard worker, a fellow artist himself, and an all-around standup guy.”
“For decades, production music libraries have been stuck without the infrastructure that DSP’s such as Spotify & Apple Music take for granted—independent distributors, sonic fingerprinting, global licensing frameworks for negotiating rates through Merlin. I can say with confidence, That Pitch has built exactly that for the sync world. They get exactly what both artists and libraries need, and they’ve created a system that makes sourcing, clearing, and licensing music seamless for any library, anywhere. This changes everything. If you're a library looking for the smartest and easiest way to grow your catalog, you need to be using That Pitch.
"That Pitch just makes things easy. Everything’s pre-cleared, formatted perfectly, and ready to go."
“They just get it. From day 1, That Pitch has been super dialed in—pre-cleared, formatted exactly to our metadata specs, and built for our PRO & usage requirements.”
"We’ve built out our catalog fast with That Pitch. The process is seamless, and the tracks always show up exactly how we need them according to our specs."
“That Pitch makes it stupid easy. Everything’s cleared, formatted right, and ready to go. That’s rare in our space. An invaluable tool which has saved our team so much time.”